LA INTRUSA

We behave in such a way that each and every one of our actions is submitted to a universal law: the clean conscience. A moral code that reflects in our manners. But the thoughts are free to be as perverse as they wish.

Bad thoughts can be considered a formal crime. What is reprehensible about it is the form they take, always surprising and unexpected. The moral code, wounded by a lack of balance and loss of deep values, makes it more difficult to control our beast, which eats for fear of being eaten and attacks to not show its weakness. A clear crisis of the human soul.

What would happen if we gave the green light to the hidden side of these dangerous acquaintances, the poor beasts?

Those who were once attacked become aggressors at some point.
Afterwards they easily find a superior cause that justifies the material act that they commit as beasts.

“We bight the air until our jaws ache.
Then everything is more covered in blood, when without satisfying hunger, we bite into someone else’s flesh.”

Artistic direction: Virginia García y Damián Muñoz
Creation and Performance: Virginia García, Damián Muñoz, Jorge Fuentes
Dramaturgy: Virginia García
Music composition and coordination: Enric Montefusco
Interpretation and musical arrangements: Quartet Brossa (Oleguer Aymamí, Pere Bartolomé, Inmaculada Lluch, Aleix Puig), Enric Montefusco
Video: Ricardo Salas (Cia.Erre que Erre)
Dirección de arte: Sergio Spinetto
Lighting design: La Intrusa Danza, Javi Ulla
Multimedia: Xavier Viadé, Santi Vilanova
Set design and Costume: La Intrusa Danza
Technical director: Jorge Fuentes
Sound Tecnician: Gonçal Planas
Production and tour manager: Cane (Nuria Canela)
DISTRIBUTION AND TOUR MANAGER: Dani Planas
Coaching: Lipi Hernández, Pol Fruitós

Coproduction: La Intrusa/ Teatro Arriaga Antzokia

Duration: 80’ aprox.

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2 minute clip.


10 minute clip.

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No es, por supuesto, un espectáculo de fácil comprensión aunque resulta una visión inteligente del humano en clave de danza actual. Los tres intérpretes danzantes realizan un estupendo trabajo. Su conclusión reside en la imaginación del espectador que es quien libremente puede dar sentido a las muchas sugerencias que invaden el escenario. La dramaturgia, que firma Virginia García, es elemento sustancialísimo de la pieza.

KARMELO ERREKATXO, EL CORREO